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Found 3 results

  1. jayhubs

    URL-based Images in v.5.5

    Hello, I just finished installing version 5.5 and everything looks awesome. I'm especially interested in the new URL Image Proxy feature. I'd love to have a URL-based image in my show, but am having trouble figuring out how exactly to network a live internet connection within my local connection to my display computers. Is there a specific way that you would recommend? Thanks, Jeremy
  2. callum

    Intro to timecode

    Hi, I've been volentold (a hybrid of volunteering and betting told) into a fairly large amateur production this year and have decided to go with Watchout as I am comfortable/ experienced with the programming style and there are a few other constraints relating to what software is available. We are running a system that needs to output to a total of 5 projectors (some doing blends, some doing their own screen/ surface) I just have a few quick questions that I would love some help with. For this show we are going to be using timecode for certain elements of control as lighting want to have some items in time with the music (Note: Certain parts of the show, not all of it). I wanted to go with timecode as I've experienced a few issues with the production software crashing during some major shows (this is almost certainly not a watch out fault simply our computers - don't worry about this bit as the watchpoint slave software has been 100% rock solid for a few hundred hours of playback time) I haven't used timecode in this situation before so I thought I'd explain my idea and then you can point out any issues that I might need to look at. As only certain elements of the show will be sending timecode from the pit/ stage manager I thought I would pre-program the whole watch out timeline and take the show control timecode into a Mac running QLab. The Mac will be playing and pausing a single timecode file which feeds to the watch out system. The mac can then be triggered to play and pause the timecode audio output from either an external timecode input (eg. the music) or from manual triggers (me pressing go) depending on the cue. This means that there is just a single timeline with timecode running on watch out and the system isn't having to be built around the timecode being sent by the band/ SM intermittently. My main question is: How do the watch out slaves handle timecode playing and pausing? I Understand that I feed timecode into one slave and the rest just keep up via the network, I just want to know how I handle "pausing" the timeline. During previous productions where I've used watch out I was using the production software with pause markers on a layer. I'm guessing that is not applicable when chasing timecode. Do I need to send a special "pause" command at the end of a stream of timecode or can I just stop outputting Timecode and watch out will pause on that frame. Any assistance would be really appreciated Cal
  3. Hi using the new version 5.5 my prodution computer and my display(s) talk via a dynamic ip how does one get the remote app to talk to the display(s) with a changing IP?
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