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  1. Playground

    Audio pops

    Asio or waspi?
  2. FMAV in Toronto has experience in mapping with Watchout on cars. www.fmav.ca
  3. Please feel free to Contact FMAV at 905 281 9000
  4. Hello I am experiencing a strange behaviour on watchpax 20s. I have 2 (main and back up) feeding a 4K wide LED wall and Audio is playing from the watchpax 20. Its for a large Trade show Booth where the show runs all day for weeks. We do have a Production computer still connected rather than leave the watchpaxes in a standalone mode. (this also allows us to make changes and updates if necessary) After an undefinable amount of time the video sequences loop but audio drops. Meaning no audio is coming out. A restart fixes this issue but the point of using the watchpaxes was that we hoped it would run all day everyday. All videos are separated from their audio track and they are in sync. Any thoughts Ben
  5. Our Process At FMAV uses a Lightware DVI router between the display machines and the cabling to the projectors. This allows us to program a good EDID regardless of what may happen in either cable or at the projector end.
  6. Any machine can be a smoke machine if you operate it wrong enough
  7. Hi Unfortunately that's not an option. The OBJ file and the flattened video files are created by the clients content team. I really am just looking for advice on where and how to pick my calibration points. I seem to need quite a few before calibration actually works but then it seems to interfere with itself?
  8. Hello I have a large mapping project coming up. We have been doing extensive tests on a 1/10th scale model of the scenic piece. I have mapped on cars in the past using the 3d OBj technique. So I am familiar with the approach. However I am finding it very difficult to align my projections to the set. I can align some of the projection but not completely snapped perfectly. I spend hours tuning the projections and find It less than perfect all the time I find I don't always understand what calibration points interact with what. I am not able to isolate small areas and lock them in place without skewing the projection some where else. I am wondering if other users have tips and tricks for doing this. How can i use the numbers in the position window to my advantage better. We are hitting the set piece with 2 4K 35000 lumen projectors. I am unable to attach a rendered png of the object but it is a series of "boxes" with a 11 by 20 flat screen inserted. Any tips are welcome Ben Chaisson Lead Watchout engineer FMAV central Branch Toronto
  9. Hi I have Mapped to 3 cars from a certain South Korean Manufacturer using 3d. It was a steep learning curve but entirely doable. 3 projectors per car. three to mapp to the floor of each instalation and 2 for Upstage of each car. I have a very large mapping project coming up using 3D mapping on a large set piece for a large Canadian Tele-com company. We are also building a stock of scenic pieces and #D objects for future use. All this to say that 3d is very much alive for our purposes Ben Chaisson Lead Watchout Engineer FMAV
  10. Hello Just upgraded to 6.2.1 from 6.2.0 I am running a few simple tests. I have found that Watchout is not seeing the audio embeded on a HAP file that i used with the previous version fine I realise the work around is to split off a seperate wav file but I am curious why its not working. I had the opposite problem in 6.2.0 where Watchout did not read or recognize audio on a pro res file Now the pro res audio is playing but the Hap is not. I re encoded the pro res to Hap through adobe media encoder and the quicktime HAP codec. Cheers Ben Watchout tech FMAV
  11. Hello All Often times my company is hired to present large LED walls for large activations. We use Watchout to drive the wall. Our clients then will have a social media aggregate that can be customizable. These Social media apps are essentially web pages that could be built to the pixel size of the wall. Can I bring in a webpage as a media item if I take Watchout on to the internet? Is the Network video media item only for Streams? Cheers B
  12. Hi Many USB midi devices have both the usb and 5 pin din connector so you can run the main via usb and the back up via midi using another USB to midi device. In our case we use an APC20 connected to the main via usb and on the back up we have an M audio uno conneted to the backup and then the midi out port of the APC is connected to the midi in of the uno. Cheers Ben
  13. Hi I am looking at watchpax as a signage solution and exhibition solution. I intend to use it on large LED walls that exceed the normal 1920 wide pixel space I am curious if watchpax can maintain sync over its outputs rather than a server with s400 card any thoughts welcome Cheers Ben
  14. Hello I am having trouble getting 4 MP4 video files to sync on a very large LED wall. The files are built at 50 fps because some of the content in side the content is european. We have Show Sage Built watch rack computers with the s400 sync card installed and working. All 4 files are coming off 1 machine with 4 heads. We are Emulating a 1920 by 1200 EDID at 50 hz. Watchout is connected to a Light ware 8X8 DVI router than fed DVI to 4 Image pros2 then fed to the LED Brain We have tried setting watchout to 75 fps and also custom at 50fps with no luck. I feel it is the H264 codec but would like to confirm or deny this. We have asked the agency to send us Pro res files to compare. Would HAP be a better choice? B Chaisson Playground Studios
  15. Hi I have often felt there is a need for a "deep clip board" in WO. The ability to store things that i often recall in regards to tweens. This position tween, this opacity tween, these colour or tint parameters. Its fine to copy one thing from one piece of media to another or even several but sometimes a show requires different but similar programming for various pieces of content. Can you copy tween info to a simple text file and then simply recall it? Is there something within WO that could achieve this?
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