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Benoit

Dataton Partner
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Everything posted by Benoit

  1. Hi Mikael, Maybe a quick tutorial on what you have to install to use Deltacast card should be nice as it's not really plug and play to what I have seen... Best, Benoit
  2. Thanks Rainer, Seems to be the same here, good to know and thanks for your help! Best, Benoit
  3. Hello all, Did someone already experience some instability using different version of Watchout on the same logical IP network? I have two separate Watchout shows addressing different servers, one in v5.5.2 and one in v6.7.2 and the 6.7.2 show don’t correctly load every morning. Many thanks for your help. Benoit
  4. Hi, I think the easiest would be to create the displays of the big room in one area of the Watchout stage with traditional soft edge. On 2 others area of the stage, you can create the displays for the 2 smaller venues: 3 big virtual displays for the duplicated parts and the additional projectors. The VD displaying on the real display in the full room stage area. I think what you want to achieve is most of the wall use default soft edge you had set for the full room, only a small part displaying on top of the edge blend. To do this you could use 2 timelines, one to display always on top, the other to display above the soft edge and crop your virtual display media to define the limit where you want soft edge of not… I know it’s not very clear but feel free to call me if you want to discuss about it. Best, Benoit
  5. Hello Kevin, You can use a 3D .obj file with a specific UV to warp your source image as you want. Never tried with a curved LED screen but it works to transform Equirecrangular to fisheye or cylindric image to fisheye for dome projections. If standard OBJ asset can be found online for traditional transformations, I'm afraid for a such specific one you will have to create your own obj file. Benoit
  6. Hello Trnhnnh, For the projector to execute your DMX orders, you also need to add an output universe 2 channel 7 and the projector only execute your commands if this output is above 50% if I remember correctly. Best, Benoit
  7. Hi MAA, What version of Watchout are you using? Not 6.0 I hope... Best, Benoit
  8. Hi Alex, To what I know, chunks are for playback and not encoding. In the FFMpeg doc, it states you should not use more chunks than your cores, but I never had any issues, it's probably best for performance but my experience is when HAP doesn’t play smoothly, you add more chunks (let say up to 8), and your problem is solved. Wish you all a happy new year. Best, Benoit
  9. Hi Alex, For HAP, depending on the resolution, I suggest adding chunks: ffmpeg -i "%file%" -an -c:v hap -format hap -chunks 4 "%n_name%_HAP.mov" Chunks allow the CPU to use multiple cores for a single video stream. My personal experience is 4 chunks for 4K and above. Can you explain what the "-dn" option is for, never used it before... and not sure to understand the manual. Thanks, Benoit
  10. Strange, on what hardware do you have this issue? Watchout write somewhere the settings and is not supposed to lost it… Yes, increasing the buffer size might have a positive effect to reduce audio pops. Basically there is a buffer of data between the application and the real audio output. The smaller it is, the less delay there is between the app and the real audio output. Which is something good on DAW, when you’re a musician and the delay of the system might conflict with real instruments or other sound processors. For audio playback, delay doesn’t matter, because a “big” buffer is something like 4096 samples, but there are typically 48 000 samples per seconds. I’ll let you do the math, but you may delay the audio by 1 or 2 video frames… Not noticable. On another side, a small buffer requires the app to fill the buffer more often and when you have other highly CPU intensive things to do, your system might not be able to do it as often as required. It’s way easier for a computer to do it less often and fill a bigger buffer. Short answer: For Watchout, set the audio buffer to the maximum possible value, you will not have visible downside. Hope this helps. Benoit
  11. Hi Quinoft, With DVS it's mandatory to select sample rate in the Watchout player audio out menu. Did you try to increase the buffer size in the DVS interface? Good luck. Benoit
  12. Hi Matthew, Nice trick! I've already tried to modify some options directly in the watch file to enable some unavailable features with more or less success, but your trick is way easier. Regarding the composition position control from external input, to what I remember of the discussion I had with the dev team (a long time ago) the problem is there is no way to be sure all elements of the composition move in sync together, don’t remember if it’s on the same display or across several displays… Now for your application it’s probably not a real problem. Best, Benoit
  13. Oups... question half read, question half answered...
  14. You can always use the control protocol. In the perference menu, control tab, check "production computer control UDP". Create a string output with the following settings: Network port / address: 127.0.0.1 / Port number : 3040 / Protocol UDP Then you can drop this output in a timeline and write "enableLayerCond 1$0D" in the data to send. So when you play the timeline the cue will make the producer to speak to himself to enable the condition 1. Hope this help. Benoit
  15. Hi Richard, I've asked ShowSage and they helped us a lot. I strongly recommend you to call them. Best, Benoit
  16. Hi Joseph, First, 8034 is not divisible by 8, I recommend you to always use resolution divisible by 8. Sometimes it works but there are so many issues with not round resolution... Next, what is your hardware? I think most GPUs have a 8000x8000 limit but I may be wrong... Benoit.
  17. Most of the Panasonic and Epson projectors can be controlled via ArtNet, I have personally tested Panasonic PT-FRQ50 on which the light source can be dimmed very smoothly and react incredibly fast and Epson EB-PU1008 which also react very fast but can’t totally be switched off.asonic and Epson projectors can be controled via ArtNet, I have personnaly tested Panasonic PT-FRQ50 which can be dimmed very smoothly and react incredibly fast. Other brands and models can work too.
  18. Hi diskin, Some laser projector models can have their laser power dimmed with artnet, it react quickly allowing to adjust the projectors luminosity to your content, even to replace the fade in and fade out. We had some pretty good results in dark setups with mixed content of both ultra bright and dark scene. Benoit
  19. Hi Rainer, Strange issue... I've already seen some NDI stream shuttering when using YUVY pixel format, switching to BGRA solved the issue in my case. I think it was the NDI sender that was configured for BGRA and asking for YUVY takes him too much work. But that's stange you see also the inssue with the live input. Whish you good luck. Benoit
  20. Hi Mindopera, Barco HDX uses Pulse protocol which is a bit tricky to use directly in Watchout output commands. I strongly recommends you to use ArtNet to control shutter, very easy to setup in the projector and to use in Watchout. Best, Benoit
  21. Hi Marc, Pulse protocol should work with Watchout, the string to power on the projector should looks like: {"jsonrpc": "2.0","method": "system.poweron"} and I think the default port is 9090. Hope this help. Benoit
  22. Hello Benjamin, You can plug a mouse and a keyboard (or better an USB hub with an USB key), close Watchout (Ctrl+W or Ctrl+Alt+Suppr), and start explorer.exe from the task manager. Then browse to D:\Watchout 6\Shows to retrieve your files...
  23. Hi, Never tested this specific setup but did you try to change the pixel format to BRGA in the media details? Regards, Benoit
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