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On 4/18/2019 at 5:47 PM, cowboyclint said:

Hi All,

Having gotten used to After Effects time jumping methods, I sure would love to have Watchout do the same thing.

In AE, I type minutes(decimal)seconds(decimal)frames. 01.01.10 and I go to 1 minute 1 second 10 frames.

If I could do the same thing in WO then I would never have to take my hand off the number pad after I type CNTRL J.

I know it wouldn't be frames, that's fine, I just don't want to move my hand to hit Shift ; all the time.

Please and Thank you.

Not sure how long this has been the case, but for a while now, you can type numbers only, leaving out the ":" and watchout will insert the colons.  So, <ctrl>-J | 0510.00 - will jump you to 5:10.00

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On 7/1/2019 at 4:05 PM, matkeane said:

Hi Mike,

The problem I have encountered with compositions is that (sometimes) when media cues within a composition use a blend mode other than normal, the cues 'pop' on and off instead of fading smoothly

I would consider that a bug, to be dealt with separately. The method I suggest is the only one possible today, AFAIK. Although one could of course wish for a simpler method of doing this,

Mike

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The abilitiy to use multiple graphics cards across the one motherboard rather than limited to one Eyefinity card. 2-output graphics cards are cheaper and less complicated (in determining which output is which and does away with dp and mdp adapters) than the Eyefinity stuff.

 

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Recent forum posts about slow network transfers when dealing with large media files reminded me of this...

The ability to constrain which media gets pushed to which displays in Live Update mode would be useful in some cases. On the last couple of projects, I had two distinct sets of displays, with media created specifically for each area - content for the front screen will never be displayed on the back, and vice-versa. When I activate Live Update, so that I can tweak some effects in real-time, all media is pushed to all servers - resulting in a long wait while several hundred Gb of files is transferred to players which will never use that content. The only workaround seems to be to temporarily deactivate displays, but then the client only gets to see half the content update live, so it’s not really a solution in most cases.
 
Other media server software seems to manage this problem with named servers and string matching with media filenames so that, for example, a media file named ‘my_file_front.mov’ won’t be transferred to a server named ‘back’. It seems a bit of a clunky solution, but it does work. I wonder whether, in Watchout, it would be possible to exclude certain folders in the media window from selected stage Tiers… That way I could put all media files destined for the front screens in one folder, right click to bring up options for that folder, and select only the ‘front’ Tier to ensure media was never pushed to displays on other stage tiers.

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would it be possible to add feature of entering 8-bit component values (0...255) rather than a percentage when using colour tweens on a solid? this would save heaps of time onsite when the client is requesting specific values to be applied...."right now"

Thanks!

Paul

 

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Just another request for Notch integration. In the short(er) term, it would be awesome to at least get NotchLC codec support. As we all know, the quality of Hap is starting  to become inadequate by modern standards. 

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On 2/1/2020 at 2:18 PM, kolakolakola said:

Just another request for Notch integration. In the short(er) term, it would be awesome to at least get NotchLC codec support. As we all know, the quality of Hap is starting  to become inadequate by modern standards. 

I have made this request directly to support, might as well add it here publicly.   This needs to be the highest priority need.  HAP does NOT look good.  

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Hi Keith,

When you said HAP does not look good, I'm curious, could you tell me which encoder do you use? On a Mac or on a PC?

I agree, HAP is not very color accurate, but to me, if correctly encoded it does the job most of the time.

Thanks for your reply.

Best regards,

BenoiT

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1 hour ago, Benoit said:

Hi Keith,

When you said HAP does not look good, I'm curious, could you tell me which encoder do you use? On a Mac or on a PC?

I agree, HAP is not very color accurate, but to me, if correctly encoded it does the job most of the time.

Thanks for your reply.

Best regards,

BenoiT

Hi Benoit,

At this stage I use the Disguise-built AME plugin.  I have used everything in the past, and had multiple topics of conversation with both the HAP developers as well as FFMPEG (which give very poor results).  Hap does a fine job for footage.  But anything that is graphically created with any sort of gradients has banding, often really bad.  I have tested every which way I can think of for better results.  Strange thing is generally for gradients, you get better results with HAP than you do with HAPQ.  https://github.com/Vidvox/hap-qt-codec/issues/16

 

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17 hours ago, ectoplasmosis said:

Yet another request for NotchLC codec support. 

HAP quality is inadequate for many types of content and ProRes/TGA image sequences are too resource-intensive.

+1

 

notchlc is also faster to encode and has a 10bit encoding support which I hope will also come in newer versions of watchout

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It would be great to enable/disable Midi Show Control using the control protocol. It would allow me to disable MSC quickly when I'm teching a show/install and not get triggered by lighting/sound when I'm doing notes. Right now I go through the menu and disable it. 

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Can we add the ability to set a preference to have the  "Click humps to time" option under the timeline menu to be disabled on show load or opening the production software?

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On 3/23/2020 at 7:30 AM, PavelS said:

Hello! 

How much dmx universes I can control via WATCHOUT? 

Thanks! 

It is basically not restricted anymore but you should keep in mind that Artnet (DMX) can fill up a network quite easily. For bigger lighting networks I would always suggest to use a separate network and just triggers from WATCHOUT.

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