nicdifo Posted September 5, 2015 Report Share Posted September 5, 2015 (edited) hi there with release 5 can i record one by one 110 universe and then play all together? or its too much? how many artnet layer is the limit? thank you for your help best regards Edited September 25, 2018 by DavidA removed a load of whitespaces 0 Quote Link to comment Share on other sites More sharing options...
Mike Fahl Posted September 5, 2015 Report Share Posted September 5, 2015 I guess noone knows really. It sounds a bit excessive to me, and it's definitely beyond what we had in mind when we designed that featre. Mike 0 Quote Link to comment Share on other sites More sharing options...
Fredrik Svahnberg Posted September 6, 2015 Report Share Posted September 6, 2015 Just to avoid potential misunderstandings: You can record multiple DMX (Artnet) universes and play them back in WATCHOUT (in version 5 and 6). You just add one "DMX recording" media for each universe. You bring them in as cues on different layers on the timeline. You align the cues to start at the correct time and record as many as you want... but, as Mikes says above, 110 universes might be a bit extensive. FYI, at a reacent staging project they successfully recorded 4 full universes (2,048 channels) for moving light fixtures and played everything back in perfect sync together with projection and LED screens. 0 Quote Link to comment Share on other sites More sharing options...
maccalder Posted September 6, 2015 Report Share Posted September 6, 2015 At 110 universes I would be looking at running a lighting desk (or whatever solution the rig is programmed in) and syncing everything together with timecode. 0 Quote Link to comment Share on other sites More sharing options...
PlaygroundStudios Posted September 6, 2015 Report Share Posted September 6, 2015 Hi. Having some issues with "DMX 512 Recording" from Martin M2GO through Enttec ODE into Watchout 5.2 The rig is 15 LED Elar Pars. We are recording the playback of effects I have no problem with recording them into Watchout. HOWEVER when it comes to recording static Qs or static channels from the console into Watchout I get nothing. Clearly this has something to do with how the board is spitting out the DMX. Unfortunately my operator is not familiar with the console, and neither am I nor my regular go-to helpers. Any advice welcome. Time is ticking. Cheers, Beth Kates [Moderator edit: highlights add by moderator <and> post has been merged to an existing topic] 0 Quote Link to comment Share on other sites More sharing options...
Moderator jfk Posted September 8, 2015 Moderator Report Share Posted September 8, 2015 Curious, have you contacted Martin for their thoughts on static Qs or static channels? Not familiar with that concept in DMX, don't Martin use a proprietary communication between Martin Boards and Martin Instruments, i.e. could those functions be a Martin proprietary thing? Bump — looking for Martin savvy help from others Hi. Having some issues with "DMX 512 Recording" from Martin M2GO through Enttec ODE into Watchout 5.2 The rig is 15 LED Elar Pars. We are recording the playback of effects I have no problem with recording them into Watchout. HOWEVER when it comes to recording static Qs or static channels from the console into Watchout I get nothing. Clearly this has something to do with how the board is spitting out the DMX. Unfortunately my operator is not familiar with the console, and neither am I nor my regular go-to helpers. Any advice welcome. Time is ticking. Cheers, Beth Kates [Moderator edit: highlights add by moderator post has been merged to an existing topic] 0 Quote Link to comment Share on other sites More sharing options...
Pixout Posted September 25, 2018 Report Share Posted September 25, 2018 I have found information about Art-Net recording here and it was very useful for me. BTW, If somebody in-interested in professional IP65 Art-Net recorder you can visit our site http://pixoutserver.com/ Thank you 0 Quote Link to comment Share on other sites More sharing options...
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